2.9 Connecting The Studio - Headphone Amp Add On
2.9 Connecting The Studio - Headphone Amp Add On
Hip Hop Audio School complete
Buy now
Learn more
Introduction
Discounts & Links
Hip Hop Audio School Trackouts
Setting Up A Home Studio
1.0 Budget & Deals - Get Great Gear at a Low Price
1.1 Picking The Right Computer For Your Studio
1.2 Picking A DAW
1.3 What Interface Should You Get?
1.4 What Studio Monitors & Headphones Should You Get?
1.5 Microphones - What To Look For
2
1.5 Microphones Part 2
1.6 Preamps - Do you need one?
2
1.7 Acoustic Treatment - Make Your Room Sound Good
1.8 Plugins - What You Really Need to get a Pro Sound
1.9 MIDI Controllers - Do You Need One?
1.10 Extras (External Hard Drives & USB Hubs)
Technical Studio Setup
2.1 Making your own Acoustic Panels
2.2 Finding The Sweet Spot For Your Listening Position
2.3 Studio Monitor Placement
2.4 The Best Spots To Put Your Acoustic Treatment
2.5 Connecting The Studio - The Basics (Computer, Interface, Microphone, Headphones, External Hard drive, Cables)
2.6 Connecting The Studio - Midi Controller and Studio Monitor Add Ons
2.7 Connecting The Studio - External Preamp Add On
2.8 Connecting The Studio - Monitor Controller Add On
2.9 Connecting The Studio - Headphone Amp Add On
2
2.10 Connecting The Studio - Outboard Gear Add On
2.11 Installing Plugins
2.12 Connecting Outboard Gear To The Apollo x8 For Mixing
3
Recording
3.1 Microphone settings
3.2 Where Should You Set Up Your Microphone? The Vocal Corner
3.3 Recording Technique (Pop Filter, On Axis, Distance)
3.4 Creating A Session & Preparing To Record
3.5 The Recording Session
3.6 Editing The Recording (Vocal Comping, Trimming The Audio, Flying The Hook)
Understanding Your Tools
4.1 EQ Controls and filters
4.2 EQ COLOR
2
4.3 Linear phase EQ, Dynamic EQ, MS EQ
4.4 Compression The Controls
4.5 Compression Color
4.6 Compression Types Of Compressors
4.7 Compression - Parallel Compression
4.8 Compression Multiband Compression
4.9 Compression - Side-chain Compression
4.10 Reverb
2
4.11 Delay
4.12 Saturation and Distortion
4.13 Modulation Tools
4.14 Tuners
Mixing
5.1 Organizing the session
5.2 Pre vs Post Fader Metering
5.3 Buffer Size and Delay Compensation
4
5.4 Gain Staging
5.5 Taming the Sibilance With a DeEsser
5.6 Reductive EQ On The Vocals
5.7 Taming The Dynamics On The Vocals With Compression
5.8 Mixing In The Trackouts
5.9 Mixing to the 2-track Beat
5.10 Mixing The Hook (Singing Vocals)
5.11 Vocal Character (Saturation & Exciters)
5.12 Adding Reverb
5.13 Clip Gain Adjustments For A More Even Sound
5.14 Adding in Adlibs and doing Manual Tuning
5.15 Creative Effects (Delay)
5.16 Reverse Reverb
5.17 Creative Effects (Stutters)
5.18 Creative Effects (Pitch Shifting)
5.19 Touch Ups to the Hook
5.20 Routing Configuration To Stay Organized
Mastering
6.1 Group Processing
6.2 Mix Bus Or Master Fader For Mastering Plugins
6.3 Masterdesk Or Not? - The First Plugins
6.4 Mastering EQ
6.4 Mastering Multiband Compression
6.5 Mastering Limiting
6.6 Dither & Volume Automation
6.7 Double Check The Mix & Small Changes
6.8 Referencing & Making Final Changes
6.9 Bouncing Down Your Finished Song
6.10 Printing Down & Exporting
Get Your Music Out There
7.0 Royalties Overview
7.1 Distribution upload HHAS feat. Cago
7.2 Split Sheets
7.3 Signing up with Songtrust & Registering Your First Song
7.4 SoundExchange Registration
7.4.1 Soundexchange Registering a song
7.5 Audiam (YouTube Content ID)
The Vault
Split Sheets
Split Sheet PDF Download
Work For Hire Agreement
Work For Hire Agreement PDF Download
2 Limiter Approach to Loudness
Producer Interview - Tundra Beats
Jack Harlow Style - Studio Rack Presets.zip
Stock And Free Plugin Vocal Template.ptxt
Stock Pro Tools Beat Mixing Template.ptxt
Pro Tools 3rd Party Hip Hop Template.ptxt
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Hip Hop Audio School complete
Buy now
Learn more
Introduction
Discounts & Links
Hip Hop Audio School Trackouts
Setting Up A Home Studio
1.0 Budget & Deals - Get Great Gear at a Low Price
1.1 Picking The Right Computer For Your Studio
1.2 Picking A DAW
1.3 What Interface Should You Get?
1.4 What Studio Monitors & Headphones Should You Get?
1.5 Microphones - What To Look For
2
1.5 Microphones Part 2
1.6 Preamps - Do you need one?
2
1.7 Acoustic Treatment - Make Your Room Sound Good
1.8 Plugins - What You Really Need to get a Pro Sound
1.9 MIDI Controllers - Do You Need One?
1.10 Extras (External Hard Drives & USB Hubs)
Technical Studio Setup
2.1 Making your own Acoustic Panels
2.2 Finding The Sweet Spot For Your Listening Position
2.3 Studio Monitor Placement
2.4 The Best Spots To Put Your Acoustic Treatment
2.5 Connecting The Studio - The Basics (Computer, Interface, Microphone, Headphones, External Hard drive, Cables)
2.6 Connecting The Studio - Midi Controller and Studio Monitor Add Ons
2.7 Connecting The Studio - External Preamp Add On
2.8 Connecting The Studio - Monitor Controller Add On
2.9 Connecting The Studio - Headphone Amp Add On
2
2.10 Connecting The Studio - Outboard Gear Add On
2.11 Installing Plugins
2.12 Connecting Outboard Gear To The Apollo x8 For Mixing
3
Recording
3.1 Microphone settings
3.2 Where Should You Set Up Your Microphone? The Vocal Corner
3.3 Recording Technique (Pop Filter, On Axis, Distance)
3.4 Creating A Session & Preparing To Record
3.5 The Recording Session
3.6 Editing The Recording (Vocal Comping, Trimming The Audio, Flying The Hook)
Understanding Your Tools
4.1 EQ Controls and filters
4.2 EQ COLOR
2
4.3 Linear phase EQ, Dynamic EQ, MS EQ
4.4 Compression The Controls
4.5 Compression Color
4.6 Compression Types Of Compressors
4.7 Compression - Parallel Compression
4.8 Compression Multiband Compression
4.9 Compression - Side-chain Compression
4.10 Reverb
2
4.11 Delay
4.12 Saturation and Distortion
4.13 Modulation Tools
4.14 Tuners
Mixing
5.1 Organizing the session
5.2 Pre vs Post Fader Metering
5.3 Buffer Size and Delay Compensation
4
5.4 Gain Staging
5.5 Taming the Sibilance With a DeEsser
5.6 Reductive EQ On The Vocals
5.7 Taming The Dynamics On The Vocals With Compression
5.8 Mixing In The Trackouts
5.9 Mixing to the 2-track Beat
5.10 Mixing The Hook (Singing Vocals)
5.11 Vocal Character (Saturation & Exciters)
5.12 Adding Reverb
5.13 Clip Gain Adjustments For A More Even Sound
5.14 Adding in Adlibs and doing Manual Tuning
5.15 Creative Effects (Delay)
5.16 Reverse Reverb
5.17 Creative Effects (Stutters)
5.18 Creative Effects (Pitch Shifting)
5.19 Touch Ups to the Hook
5.20 Routing Configuration To Stay Organized
Mastering
6.1 Group Processing
6.2 Mix Bus Or Master Fader For Mastering Plugins
6.3 Masterdesk Or Not? - The First Plugins
6.4 Mastering EQ
6.4 Mastering Multiband Compression
6.5 Mastering Limiting
6.6 Dither & Volume Automation
6.7 Double Check The Mix & Small Changes
6.8 Referencing & Making Final Changes
6.9 Bouncing Down Your Finished Song
6.10 Printing Down & Exporting
Get Your Music Out There
7.0 Royalties Overview
7.1 Distribution upload HHAS feat. Cago
7.2 Split Sheets
7.3 Signing up with Songtrust & Registering Your First Song
7.4 SoundExchange Registration
7.4.1 Soundexchange Registering a song
7.5 Audiam (YouTube Content ID)
The Vault
Split Sheets
Split Sheet PDF Download
Work For Hire Agreement
Work For Hire Agreement PDF Download
2 Limiter Approach to Loudness
Producer Interview - Tundra Beats
Jack Harlow Style - Studio Rack Presets.zip
Stock And Free Plugin Vocal Template.ptxt
Stock Pro Tools Beat Mixing Template.ptxt
Pro Tools 3rd Party Hip Hop Template.ptxt